This time, it's set in a city I have actually visited. Here is the new episode of the Frugal Traveler: Santa Fe, New Mexico
Saturday, December 22, 2007
The New Frugal Traveler Video
Posted by Ted Fisher at 2:24 AM 0 comments
Labels: documentary production
Wednesday, December 19, 2007
Blowup Reaches Middle-Age
Yesterday marked the 41st anniversary of the release of the film Blowup. I watched it again last year -- for a paper I had to write -- and I'm tempted to give it another look. (Amazon.com now has it via their download store -- for your instant gratification. That's the blatantly commercial link below.)
The strange thing, I find, is that it's a movie that doesn't match the popular conception or the popular memory of it at all. On paper, it's about a David Bailey-styled photographer in swinging London, a murder mystery, and the uncertainty of perception. And, as parodied in "Austin Powers," there's a bit of fashion photography flair...
There's a deeper game built in, though, one that still plays well today. And that's what I think is worth returning to.
Posted by Ted Fisher at 8:15 AM 0 comments
Labels: films about photography
The Diane Arbus Archive
The news? Well, there's this press release from yesterday:
Metropolitan Museum Acquires Diane Arbus Archive
"(New York, December 18, 2007)—The Metropolitan Museum of Art announced today that it has acquired the complete archive of Diane Arbus (1923-1971), the legendary American photographer known for her revelatory portraits of couples, children, nudists, carnival performers, and eccentrics. The Estate of Diane Arbus has selected the Museum to be the permanent repository of the artist's negatives, papers, correspondence, and library. The Museum will collaborate with the Estate to preserve Arbus's legacy and to ensure that her work will continue to be seen in the context of responsible scholarship and in a manner that honors the subjects of the photographs and the intentions of the artist.
"The Estate's gifts and promised gifts to the Museum include hundreds of early and unique photographs by Arbus, negatives and contact prints of 7,500 rolls of film, glassine print sleeves annotated by the artist, as well as her photography collection, library, and personal papers including appointment books, notebooks, correspondence, writings, and ephemera. The entire collection - which will be preserved, fully catalogued, and eventually made available for research to scholars, artists, and the general public – will be known as The Diane Arbus Archive."
Posted by Ted Fisher at 7:47 AM 0 comments
Labels: photographers, photography in the news
Sunday, December 16, 2007
The Real Future of Photography
Many words have been spilled on that Newsweek article claiming there's a crisis in photography. In the end, there's nothing to worry about. Photography will go on. It just won't be humans behind the cameras.
'Wonderful Shot' Dog or Cat Camera for Pet Paparazzi
"Ever wonder what your pet gets up to when he or she's out & about, patrolling the neighborhood? Wonder no more - thanks to Japanese toy and gadget maker Takara Tomy, you now have a photographic record of their adventures in the wide wild world!Do not miss the picture in this article. Follow that link, now.
"The tough, light camera attaches to your pet's collar and weighs just 38 grams (under an ounce & a half), and it's no toy. The 3.5 megapixel camera has an 8 MB internal memory that allows up to 90 photos to be taken. Li'l Furball's first photo album'll be full in no time flat! The battery is rechargable and the adjustable timer can be set to snap a pic at 1, 3, 5, 10, 15, 30 or 60 minute intervals."
Posted by Ted Fisher at 1:17 AM 1 comments
Labels: cameras
Also, Rename the Show "Hair Dance"
Sure, I've said bad things about The Shot. Criticism is easy, though. The real question is: what would actually work in a reality-television show about photographers? What would be less painful to watch? Well, here are three ideas:
- Stop with the repetition. Each episode is essentially the same, and people win and lose on the same exact concerns. Change things significantly from week to week. Photography is a broad and diverse art form, and even if the show is strictly "fashion photography" you can find the underlying skills and make challenges based on those.
- Don't assume we won't understand the technical. A little bit of discussion of the technical side of photography, handled well, could really be interesting. Those knobs on the camera -- they do something, right?
- Stop just saying a photo is good or bad. Tell us how it works, and why you like it or hate it. Just giving a thumbs-up or down is boring -- why does this photo work, and not that one?
Posted by Ted Fisher at 12:42 AM 0 comments
Labels: television
Saturday, December 15, 2007
Northern Exposure
In the film Idiocracy it's revealed that the favorite film of the year 2505 will be a continous, 90-minute-long shot of a man's buttocks -- sort of a dumbed down version of Andy Warhol's 1965 film Taylor Mead's Ass.
Now Canadian television has taken the first steps toward that epic, and billed the adventure as an homage to photographer Spencer Tunick.
Nude St. John's waterfront TV shoot attracts 50
"Walsh intends to organize more naked film shoots across Canada. She said her next stop is Calgary, where she expects temperatures will be even lower than they were in St. John's. Other stops include Vancouver, Iqaluit and Toronto."
Posted by Ted Fisher at 7:44 PM 0 comments
Labels: photography in the news
Photography in the News
Any stories on photography in the recent news? Well, there's a good look at the Magnum photo agency, a glance at the growing maternity photography industry, and when Britney Spears isn't running over photographers, she's complaining about them.
The world according to Magnum
"Born in 1947, Magnum was founded by four very different photographers, Robert Capa, Henri Cartier-Bresson, George Rodger and David Seymour. However, they shared a common desire to create a new agency, owned and operated by photographers: its purpose, to document world events and issues and show the photograph to be as powerful a method of journalism as the word. It would also provide an invaluable historical archive."
Growing Demand To Bare The Belly
"It's been almost 17 years since Demi Moore posed nude for Vanity Fair in 1991. Britney Spears reawakened the image when she posed for Harper's Bazaar in 2006. Those visions clearly resonated with many women. When Francesca Mannarino-Werz saw the Demi Moore pictorial, she was struck by its beauty. She had her photos taken by Reyes six weeks before she gave birth to her son Mason, now eight months."
Spears hits out at photographers
"Yesterday, a friend of the pop princess said poor health and "anxiety" caused by seeing photographers outside her house had resulted in Spears cancelling a deposition in the court case where she is seeking to regain equal custody of her two sons."
Posted by Ted Fisher at 7:19 PM 0 comments
Labels: photography in the news
Friday, December 14, 2007
Beauty Knows No Pain
I asked Elliott Erwitt where I could see the documentaries he had made, and he said that Beauty Knows No Pain could be found at "National Something or Other."
And it looks like he is correct. And also that the piece can be viewed online. Excellent.
Posted by Ted Fisher at 12:08 AM 1 comments
Labels: documentaries, Elliott Erwitt
The Vaguest Good News in an Unspecified Number of Days
Good news yesterday, arriving all at once.
I'll have to be vague about the details until there are "official announcements," however ... so it's time for Blind Item Gossip Blogging!
What East-Coast photoblogger will show three photographs in a Southern California exhibition in 2008? Sources say it's the same cynical Manhattan-based documentarian whose short film will be showing at a Documentary Film Festival in February -- in a state that rhymes with "Fontana."
Wait -- is it Michael Moore?
Posted by Ted Fisher at 12:01 AM 0 comments
Labels: blind item gossip blogging
Thursday, December 13, 2007
Elliott Erwitt
I'll post about what he said and how he said it sometime very soon. For now: meet Mr. Elliott Erwitt.
Posted by Ted Fisher at 1:11 AM 0 comments
Labels: Elliott Erwitt, snapshots
Wednesday, December 12, 2007
Elliott Erwitt Will Be at Strand Tonight
Tonight, I'm hoping to stop by the Elliott Erwitt booksigning at Strand Books. If you can't make it, you should consider adding his last two books: Personal Best and Unseen to your photography bookshelf.
Posted by Ted Fisher at 12:24 AM 0 comments
Labels: Elliott Erwitt, photography books
Tuesday, December 11, 2007
Naughty by Nature
Santa's Nicomachean world view may seem overly simplistic -- I think there are shades of Naughty and Nice -- but it does make sense in light of his career choice. He's got to be all about efficiency. He has one big yearly task, and limited time.
Posted by Ted Fisher at 12:27 PM 0 comments
Labels: photographs
There's a Sociology Thesis In It
I noticed less of an Elf presence at this year's SantaCon. The number of male Elves was way down, at least. I'm not sure if that's a significant indicator of a social trend or not.
Posted by Ted Fisher at 12:21 PM 0 comments
Labels: photographs
Be Glad the Elves Didn't Get There First
If you come to SantaCon to photograph, you probably should be dressed as Santa. It's a participatory event.
Above: a group of Santas decorate a photographer.
Posted by Ted Fisher at 12:12 PM 0 comments
Labels: photographers, photographs
Monday, December 10, 2007
Tompkins Square Again
If you think about it, Santa's the original Jet Setter.
Takes most of the year off, then flies around the globe for his world promotional tour, just so you don't forget him. Hires a really good publicist, and before long it's "Saint" Nick, and 87% of the public perceive him as "jolly."
Posted by Ted Fisher at 8:20 PM 0 comments
Labels: photographs
SantaCon 2007 New York
Posted by Ted Fisher at 1:00 AM 0 comments
Labels: broadway, photographs, santacon 2006
The Shot: Do They Mean Penicillin?
Yes, I watched Sunday's episode of "The Shot." What do you mean, "Lame, lame, lame?"
Are you saying that just because they plan to give money and fame to photographers who can't operate studio lights, crop properly, or work with other human beings? You're awfully strict. Next you'll want them to know about lenses and composition and exposure.
Clearly, you need some Vaseline.
Posted by Ted Fisher at 12:58 AM 0 comments
Labels: television
Sunday, December 09, 2007
One More from Grand Central
I tried to persuade a few Santas that they should visit the Campbell Apartment, but they headed into the dining concourse instead.
Posted by Ted Fisher at 8:01 PM 0 comments
Labels: photographs
On the Street in Manhattan
There are a lot of cameras at SantaCon. You see people asking others to pose, and that's fine.
I think, however, it is in the unposed moment that you learn about human behaviour.
Posted by Ted Fisher at 2:52 PM 0 comments
Labels: photographs
Tompkins Square Park
The thing people forget about Santa is that -- basically -- it's a noble gig. Make a lot of stuff, give it away. Not necessarily financially sustainable, but noble.
Posted by Ted Fisher at 11:45 AM 0 comments
Labels: photographs
Santa Takes the Six
When the attendees at SantaCon move from one site to another -- after the "Santa's on the move!" call begins -- usually there are just a few people who know the next location and the best way to get there, and most of the group follows along.
Our next destination was Astor place, a stop I've been to many times. I hadn't heard that, though, only the "Santa Takes the Six!" chant that went through the crowd. Most of the Santas waiting for the 6 train tried to dissuade those jumping on the 4 or 5 -- thinking they were making a mistake -- so confusion reigned.
Above: the 4 train going past our group of Santas, waiting for the 6.
Posted by Ted Fisher at 11:31 AM 0 comments
Labels: photographs
SantaCon 2007
Ah, SantaCon. The one time of year when stockbrokers and ex-theater majors can put on a red suit, or tights and a wig, drink a lot, and attempt to pick up other stockbrokers and ex-theater majors.
Okay, maybe not the only time, but certainly one of the times.
Posted by Ted Fisher at 11:20 AM 0 comments
Labels: photographs
Friday, December 07, 2007
Dogs of The Upper East Side
Dog walkers, as far as I can see, group dogs by size when given a choice. I suppose that has to do with keeping the pace even when walking, and keeping order within the pack. At least, that's my guess. Above photograph from about 1 p.m. today.
Posted by Ted Fisher at 7:47 PM 0 comments
Labels: dogs of yorkville
Santaphobia
Should you fear Santa? Yes. Here's photographic evidence.
Posted by Ted Fisher at 12:27 PM 1 comments
The Red Menace
Tonight, probably around 11 p.m., the starting location for SantaCON will be announced. You can bet I'll be checking it twice.
Above: SantaCON 2005.
Posted by Ted Fisher at 11:54 AM 0 comments
Labels: photographs
Thursday, December 06, 2007
Photography in the News
Any news stories about photography in the major newspapers? You bet.
New York City sued for harassing photographers
"The lawsuit was filed against the city and Police Commissioner Raymond Kelly on behalf of Arun Wiita, 26, a Columbia University graduate student of Indian descent who said he was handcuffed and detained after a police officer spotted him snapping pictures near a Manhattan subway station in July."Work With Me, Baby
"FASHION is a stepchild, in photography no less than in other areas of the culture. The reach of the imagery it produces influences everything from trash television to presidential campaigns. Yet the slick work cranked out by the fashion machine is rarely taken seriously."
Posted by Ted Fisher at 7:51 PM 0 comments
Saturdays in Red
On Saturday, I will be at NYC SantaCON 2007. It's been great fun in past years. If you are going, drop me a comment.
Happens in other cities as well.
Posted by Ted Fisher at 8:44 AM 2 comments
Wednesday, December 05, 2007
Fake, Real, Fake, Whatever
I don't care if it's fake -- again, all photographs are fake -- I just want to know if it's good art.
Chinese Moon Photo Not Fake, But Not Pristine
"It's odd that moon images are so often questioned. We can do so many other things that stagger the imagination; why are people reluctant to believe that we can't go to the Moon? I find it also particularly interesting that many people are apparently willing to believe something so improbable (faking a moon mission? That's serious business, way harder than faking a memoir or a resume)."
Posted by Ted Fisher at 9:24 PM 0 comments
Labels: photography in the news
The Same Hand
Is this by the same person who did this? Notice the handwriting. And the exclamation point....
Posted by Ted Fisher at 12:35 AM 1 comments
Tuesday, December 04, 2007
Face, Meet Palm
It's FacePalm time! That's right: toss the palm of your hand over your face, and repeat after me: Not This Crap Again.
Is Photography Dead?
"Art and truth used to be fast friends. Until the beginning of modernism, the most admired quality in Western art was mimesis—objects in painting and sculpture closely resembling things in real life. William Henry Fox Talbot, who produced the first photographic prints from a negative in 1839, immediately saw the mimetic new medium as an art form. Talbot wanted only to be able to "draw" more accurately than by hand. In fact, he called his first book of reproduced photographs "The Pencil of Nature." For at least a century thereafter, any photograph with a claim to being art had in its DNA at least a few chromosomes from Talbot's "The Open Door" (1844), a picture of a tree-branch broom leaning just-so-esthetically against a dark doorway."I've said again and again that thinking that a flat, black and white rectangular representation of a fraction of a second is a "true" thing -- when we know the world to be three-dimensional, in color, and continuous -- is a pointless way to relate to photographs.
Yet in this week's Newsweek Magazine, here's this essay.... It's real achievement: misunderstanding both the history of art AND the history of photography. Usually, at best one can be completely wrong about one or the other. At least in the same essay.
Posted by Ted Fisher at 9:36 PM 0 comments
Labels: history of photography, photography
Trends in Photography
The hot trend in photography? The anonymous blog.
Now, I happen to think anonymity turns people into the worst version of themselves -- visit any Web forum if you want to discover that for yourself -- but I do understand the impulse to blog freely, with the minimum of consequences.
And I'm all for any site that talks about photography or visual culture. So take a glance at:
Bitter Photographer
A Photo Editor
A Visual Society
Still, the test for me is always: What Would Elliott Erwitt Do? I'm pretty sure he'd put his name in his profile.
Posted by Ted Fisher at 6:31 PM 2 comments
Labels: trends in photography
Burnside Avenue Station
My experience of The Bronx is a strange one: I arrive on the 4 train, walk a few blocks on West Burnside, and teach my class at Bronx Community College.
I'm vaguely aware of facts about the area: it's the poorest urban county, the U.S. census says the population is 51% Latino (primarly Puerto Rican and Dominican), and there is a strong connection to Africa. I hinted at that last fact in my post on Lucky Dube, and it has become a visual fascination for me: there are traces, but they blend in and become muted.
Wikipedia says:
"West Africa is the most frequent region of origin for immigrants to the Bronx. U.S. Immigration and Naturalization Service data shows that in 1996, about two-thirds of those Ghanaians arriving in the United States, and nearly three-fourths of those naturalized, live in The Bronx. Many have clustered in Bronx communities, including Morris Heights, Highbridge, and Tremont."Morris Heights is the area just below Bronx Community College.
Above: Burnside Avenue Station on Monday morning, looking toward Manhattan.
Posted by Ted Fisher at 9:30 AM 0 comments
Labels: bronx, photographs
Near Burnside Avenue
Shock at SA reggae star shooting
"Correspondents say the killing of the 43-year-old singer has shocked South Africans who are already accustomed to one of the highest murder rates in the world. Music producer TK of TS records and a friend of Dube's told the BBC the killing was tragically ironic."There have been stories lately noting that New York's murder rate has dropped to a new low. If there's one place where a murder in South Africa will enter the New York mind, however, it's The Bronx.
Above: photographed just off Burnside on Monday.
Posted by Ted Fisher at 12:02 AM 0 comments
Labels: bronx, photographs
Monday, December 03, 2007
Fall, Winter, Fall, Whatever
Yesterday's dusting of snow was gone by this morning, leaving a clear, beautiful and cold day. Now, at nightfall, the cold winds have started. According to the weather report, the "feels like" will dip to 18 degrees Fahrenheit overnight, staying cold tomorrow morning.
Above: Carl Schurz Park on Sunday.
Posted by Ted Fisher at 8:34 PM 0 comments
Labels: photographs
Photography Advice from "The Shot"
I've mentioned that I have been happily suffering through VH1's "The Shot." Well, now they've posted photo tips.
In case a food fight breaks out, and then the nude models show up.
Posted by Ted Fisher at 8:24 PM 0 comments
Labels: television
Harsh, Yet Well Written
Ah, Yorkville. Home to some of the best private schools in the world. Sometimes the message may be harsh, but the penmanship fantastic.
No little heart dotting the "i" and no "o" filled in by a smiley face?
Posted by Ted Fisher at 12:10 AM 2 comments
Labels: photographs, yorkville
That is Not What "White Balance" Means
This is the strangest photography-related story I've run across in a while. I've tried to understand the thinking behind it, and the process of how it might have happened, and I'm left puzzled.
Pupils forced to pose for school photo according to skin colour
"A school apologised today after telling tearful children to line up for a photograph by the colour of their skin. Parents condemned the decision by Sandhurst Junior School in Lewisham, south London, to arrange the children from the lightest skinned to the darkest. One parent claimed the intention had been to make life easier for the photographer - so he did not have to keep rearranging his reflector screens."
Posted by Ted Fisher at 12:01 AM 0 comments
Labels: photography in the news
Sunday, December 02, 2007
Dogs of Yorkville
I stumbled onto this noble pack of snow pugs on 89th Street. If they find you stranded in a drift, they revive you by peeing on you.
The one in the background? He's about to revive that bike tire.
Posted by Ted Fisher at 6:22 PM 0 comments
Labels: dogs of yorkville, photographs, yorkville
Snow Arrives in Yorkville
Ah, Yorkville. A boy came up to me and showed me the first snowball of the season.
In his imagination, I was taking one photo. In mine, another.
Posted by Ted Fisher at 1:55 PM 2 comments
Labels: photographs, yorkville
Grab One Corner and Shake
I think folks forget that the instant feedback one gets from digital photography -- "Hey, look at that. Now let's try this...." was also a part of making Polaroid photographs. Shooting with a 35mm film camera meant you wouldn't really know what you had for at least an hour, but watching a photo develop in front of your eyes was, as advertised, Instant Fun.
If you are feeling nostalgia for instant photography, you'll want to visit:
Polanoid
"We are building the biggest Polaroid-picture-collection of the planet to celebrate the magic of instant photography. So please seach your archives and attics and reactivate your Instant Cameras. This is the slamming comeback of Instant Photo Fun."
Posted by Ted Fisher at 10:26 AM 0 comments
Labels: polaroid photography
Photographs: 2007, Concept: 1987
Generally, newspaper coverage of photography as art emphasizes the photographer over the work. That makes sense, of course: a news story is generally "Who, What, Where" at a basic level.
Usually, this means we see the same stories over and over again: a photographer looks back on a long career, a photographer's new show is controversial, or -- increasingly -- a photographer has somehow become favored by celebrities, and has put forward a new book or show that "reveals" a number of famous people.
The sell: see Whoopi Goldberg in a tub of milk.
Today's Daily News has a very vague article about a photographer who manages to fake that revelation:
Photographer puts fake celebs in focus
"I'm very interested in our fixation with celebrity and how we think we know them intimately, but we only know them through photographs and the media imagery. So I thought if I got a look-alike and replaced the celebrity, does it matter to us whether they are real or not? And is the look-alike more important than the actual person? The look-alike is accessible, but the actual celebrity is untouchable. We fantasize about celebrities so much, and yet when we meet them we are starstruck and we can't say anything."(Sometimes people use the word "we" without checking first, but let's let that go.)
The book is Alison Jackson: Confidential in case you have unmet fake celebrity needs.
Posted by Ted Fisher at 9:35 AM 0 comments
Labels: photography books, photography in the news
Saturday, December 01, 2007
Fred McDarrah, 1926 - 2007
Fred McDarrah, 81, photographer of Beat Generation
"It was at The Voice that he built the reputation which quickly fanned out to an almost encyclopedic photographic coverage of artists, writers, poets, novelists, playwrights, actors, musicians, politicians, aspirants, characters, flotsam and jetsam of what was even then a great deal more than its journalistic label of “Beat Generation.” It all added up to an unbelievable 200,000 separate photographs — separate images — over the years."
Posted by Ted Fisher at 9:39 PM 0 comments
Labels: photographers
Last Night's Screening
Over at Actualities I've posted a brief report on last night's screening.
Posted by Ted Fisher at 10:36 AM 0 comments
Labels: blogging
Friday, November 30, 2007
Philip-Lorca diCorcia Case Appeal Dismissed
I thought this had been settled a while back, but the appeals process takes a while, I suppose.
Case Over ‘Heads’ Photo Is Dismissed
"Do people walking down the street have a right of privacy against having their picture taken, without permission, for a gallery show? The Court of Appeals, the state’s highest court, skirted that issue on Thursday when it cited procedural grounds to dismiss a lawsuit by an ultra-Orthodox Jewish man who had sued a photographer on religious grounds. The court did not address the privacy issues at the heart of the case."If I'm understanding this, does that mean the privacy issues have not been adjudicated -- that the dismissal was based on the claim being filed too late?
Posted by Ted Fisher at 11:57 AM 0 comments
Labels: photography in the news
Thursday, November 29, 2007
Should You Attend NY Short Docs on Friday?
Yes you should. I'll be there. My film "12th and 3rd in Brooklyn" will be there. It's in Lower Manhattan, so it's probably on your way to the bar, anyway.
Posted by Ted Fisher at 10:04 PM 0 comments
Labels: screenings
Which Qualifies You for the Harry Winogrand Medal
The phone rings. You stagger over to it. Who would call at such an early hour? The news, however, is great. You've just won the Friedlander award! Fantastic! Will you get to meet him? Lee Friedlander is one of your favorites, a legend in the field. He's amazing.
Umm, what? Her? Meet her? Marti who? Marti Friedlander? She's well-known in New Zealand?
Auckland photographer wins Friedlander award
'"I have chosen Edith as the inaugural recipient as I believe she has an exceptional talent," says Marti Friedlander. "I particularly like the way her photographic essays portray people and places that reveal New Zealanders and all their diversity."'Might as well check out Marti Friedlander, New Zealand Photographer. Just in case you get that phone call.
Posted by Ted Fisher at 8:57 PM 2 comments
Labels: awards, photographers
They See Her Rollin' -- They Hatin'
I've been helping judge a photography contest this week, and I've come to one very specific conclusion: there are a surprising number of photographs of children stuffed into pumpkins.
Imagine: "Okay, honey, Mommy and Daddy are just going to put you into this pumpkin and take a picture, alright?" I spent hours looking at photographs showing kids sitting inside big pumpkins, head sticking out, or with the pumpkin around their torso and their little legs protruding out of legholes, usually with a pumpkin stem worn as a beret as well...
It took me a few shocked moments to remember the source of this barrage of vegetable / infant photography: that woman who puts lettuce on babies heads.
By coincidence, yesterday there was a little article on that very same photographer, who has now convinced herself she is best imagined as a rock star:
Anne Geddes details her triumph over self-doubt and skeptics
'Some time later she first suggested doing baby calendars to a London editor, who told her, "If I can give you some advice, just photographing babies is never going to work for you. You need to broaden your portfolio to include adults and animals." That memory prompts a dimpled smile on Geddes' face as she relates, "I have talked to that editor many times since and he often tells me his 'broaden your portfolio' advice now makes him feel like the guy who turned down signing the Beatles."'Of course, simply being the Beatles of photography may not be enough for her: later the article describes her work as having progressed through distinct artistic phases. Picasso, watch your back.
Posted by Ted Fisher at 9:03 AM 2 comments
Labels: photographers
Wednesday, November 28, 2007
Still Fall
I may have been a little early with the talk of Winter. Today was clear and cold, but definitely more Fall than Winter.
Above: Bronx Community College around 9:15 this morning.
Posted by Ted Fisher at 9:11 PM 0 comments
Labels: photographs
Tuesday, November 27, 2007
For All Your Holiday Shopping Needs
Since there are some holidays coming up, you're probably wondering what to put on your list. Well, there's always Magnum Magnum, which hits stores on Friday.
That might be a little pricy, though.... So maybe Fashion Magazine by Alec Soth is the way to go. Yep, that will work.
Doesn't ship for 4 to 7 weeks, however....
Posted by Ted Fisher at 9:24 PM 0 comments
Labels: photography books
Monday, November 26, 2007
From Fall to Winter
My Santa suit? I'm glad you asked. It's in the closet, back from the dry cleaners. It's ready to go.
Above: earlier tonight, East 89th and Lexington.
Posted by Ted Fisher at 9:57 PM 0 comments
Labels: photographs, Upper East Side
3D Can Be 1D Worse Than Regular Bad Photography
Ah, yes, I did watch episode four of The Shot. A roomful of synchronized cameras, two fans going full blast, a huge lighting rig and some of the worst photographs ever. Amazingly painful to watch.
Is that why it's sponsored by Vaseline?
For those of you self-punishing enough to have seen it, here are some real lessons to take from it:
repeating "hair dance, hair dance" over and over again is not actually the same as having a plan for a shoot
claiming that the best fashion photographers are men is a sign you should look around at the field a bit more
having the hair look bad in a shoot that's about hair (and supervised by a hair guy and a photographer with great hair) may shows poor listening skills
if your photographs look exactly like those of the other six contestants, you're doing it wrong
Posted by Ted Fisher at 12:18 AM 0 comments
Labels: television
The New Rules Comment Period
Over on Actualities I have an update on the proposed new rules for photography in New York City.
Posted by Ted Fisher at 12:13 AM 0 comments
News Followup
This story, I expect, will continue to unfold. Will we ever hear the details?
AP Chief Slams Case Against Photographer
"We believe Bilal's crime was taking photographs the U.S. government did not want its citizens to see. That he was part of a team of AP photographers who had just won a Pulitzer Prize for work in Iraq may have made Bilal even more of a marked man," [AP President and CEO Tom] Curley wrote.
Posted by Ted Fisher at 12:02 AM 0 comments
Labels: photography in the news
Sunday, November 25, 2007
Tickets for NY Short Docs
I've just purchased my tickets for Friday night's documentary screening:
NY Short Docs.
Here's how they list my film:
"12th & 3rd in Brooklyn (Ted Fisher | Brooklyn | 6:00)(I should mention that this film is made with Iris Lee and Maya Mumma, and -- as festivals sometimes do -- they've only listed me since I was the first name on the list.)
In Park Slope, stickball is a cherished tradition. This slowly gentrifying neighborhood is home to men who have gone to bat on the same block 12th Street and 3rd Avenue for decades. This film offers an intimate portrait of the game and the unique brotherhood it forges among the players."
Here's a still image from the day we shot the film: On the Streets of Brooklyn.
There's a lot of good work on the program -- I've seen a few pieces that are screening -- so you should definitely go.
Posted by Ted Fisher at 9:38 AM 0 comments
Labels: documentaries, film festivals, screenings
Saturday, November 24, 2007
Found: Diane Arbus Photographs
Genuine Wonders From the Flea Circus: Photos by Arbus
"But when sorting through the pile, Mr. Langmuir found a note in a dog-eared datebook kept by Lucas that stopped him: “Diane Arbus, 131 ½ Charles St. WA 4 — 4608.” Then, he says, he looked again at some of the heavily flashed photographs of performers like Estelline Pike, a sword swallower, and DeWise Purdon, a man with no hands, and wondered: Could these possibly be early Arbus works? Or am I just dreaming?"He wasn't dreaming. 21 of the photographs have been authenticated. I'm very eager to see these....
Posted by Ted Fisher at 7:38 PM 0 comments
Labels: photographers
Friday, November 23, 2007
Frugal Seattle
Over on Actualities I discuss editing the latest Frugal Traveler episode.
Oh, and there's some Thanksgiving-related fun as well.
Posted by Ted Fisher at 6:27 PM 0 comments
Labels: blogging
Thursday, November 22, 2007
A Second Chance
I missed the Elliott Erwitt booksigning at ICP, and I've been kicking myself since. Luckily, there will be another, this time at Strand Books on Wednesday, December 12.
What Would Elliott Erwitt Do? Well, he would attend.
Posted by Ted Fisher at 1:27 PM 2 comments
Labels: Elliott Erwitt
Photo History in the News
Are there any stories in the news about folks using nondestructive reflectance Fourier transform infrared spectroscopy to study the earliest color photographs? You bet, but first there's a story about a possible previously-unknown photograph of Abraham Lincoln.
Purported Photos of Lincoln at Gettysburg Discovered
"The photos show a man in a black suit and Lincoln's trademark "stovepipe" hat, looking away from the camera. Some experts say they believe the man is indeed President Lincoln, although not all are convinced."Other experts believe it is actually a piece of blue fluff on the lens.
Was the Inventor of the First Color Photograph a Genius, or a Fraud?
"... the Rev. Levi Hill of Westkill, N.Y., claimed for the first time to have invented a way to produce naturally colored daguerreotypes, or Hillotypes, as they became known. When Hill refused to release the details of his process until a patent was filed, the profession denounced him as a fraud. In 156 years, no definitive evidence has been presented to suggest that Hill was or was not an imposter, until now."
Posted by Ted Fisher at 10:01 AM 0 comments
Labels: photography in the news
Tuesday, November 20, 2007
Genius of Photography
I've been watching The Genius of Photography on Ovation TV. It's a great series. Some of the camera work for the show seems strange to me -- perhaps a bit forced -- but the content is fantastic and well handled. And they got interviews from a wonderful group of people.
The only strange choice: the photographs are presented on a beige background.
Posted by Ted Fisher at 11:17 PM 0 comments
Labels: television
Monday, November 19, 2007
Photography in the News
Any photography-related stories in today's news?
Well, there's this:
Kidman tells court she feared death during car chase with photographer
"Nicole Kidman was so scared by a photographer who chased her car across Sydney almost three years ago that she crouched down on the back seat and burst into tears, afraid of an accident like the one that killed Diana, Princess of Wales, the film star told an Australian court yesterday."And this:
US seeks charges against AP photographer in Iraq
"The U.S. military will recommend criminal charges in Iraqi courts against an award-winning Associated Press photographer it accused of working with insurgents, the Pentagon said on Monday."And, from the Maldives, there's this:
DRP Whitewash Fathin Finger To Photographer
"Aneesa said several colleagues had told her a "distorted" photograph of the Government MP, who is also a deputy minister, had appeared in the press. She said the photograph had been tampered with, complaining, "it has become common practice to malign Government officials and DRP members."
But the photographer, who does not wish to be named, has responded fiercely to the allegation that he doctored the photo. "It’s a 100% untrue. Look at the photos taken before and after, the scene outside the Majlis building is identical. Its not been faked at all.""
Posted by Ted Fisher at 7:45 PM 0 comments
Labels: photography in the news
Sunday, November 18, 2007
People Paparazzi
Well, now that we have the news from the Maldives squared away, the question remains: who are these photographers who spend their days taking the pictures of people who don't want their pictures taken?
Apparently, now the answer is: everyone, all the time.
Everyone Wants to Be Taking Pictures
"In the two years since prosecutors in Los Angeles threatened to file felony conspiracy charges against photographers engaging in dangerous tactics, and started monitoring them more closely, complaints of egregious illegal conduct, like assault, trespassing and reckless driving, by paparazzi have decreased, said William Hodgman, the head deputy of Los Angeles County district attorney’s target crime division. But now, Mr. Hodgman said, celebrities are followed by more celebrity news media and what some photographers call “people paparazzi,” which has reignited the pursuit. “The celebrities don’t feel any safer,” he said."
Posted by Ted Fisher at 9:23 AM 0 comments
Labels: photography in the news
Saturday, November 17, 2007
Photography in the News
Well, is there any photography-related news from the Maldives?
I'm glad you asked:
President's Niece Gives Photographer The Finger
Posted by Ted Fisher at 10:28 PM 0 comments
Labels: photography in the news
Friday, November 16, 2007
Screening at NY Short Docs
Remember that little film on stickball we made last fall? It's going back out into the world. Details soonish.
Posted by Ted Fisher at 12:02 AM 0 comments
Labels: documentaries, screenings
Thursday, November 15, 2007
Photography in the News
It's been a tough day, partly caused by a problem with the plumbing in our building. So, I just thought I'd check the news quickly to see if there are any items on photography....
Well, there's this again. Actually, apparently it's the third time.
Spears runs over another photographer's foot
"This is the third time Spears has been involved in such an accident. Last month, she ran over the foot of another snapper, while doing the same to a Los Angeles County Sheriff deputy, who got his foot caught under the star's Mercedes. This is the latest in a string of traffic incidents for the 25-year-old, on Monday Spears was accused of leaving a paparazzo seriously injured after knocking him off his motorcycle."I'm telling you: do not take pictures of Britney Spears.
Posted by Ted Fisher at 10:16 PM 0 comments
Labels: photography in the news
This Just In
Well, I've done my part.
While a stunningly large percentage of my fellow citizens continue to believe that cameras capture photographs of ghosts, I have now appeared on television -- for perhaps two seconds -- noting that blue fluff on the lens is a more likely theory than ectoplasmic blue mist or monochromatic angels.
Not that I'll change anyone's mind.
Inside Edition story here.
Posted by Ted Fisher at 11:39 AM 0 comments
Labels: television
Wednesday, November 14, 2007
Breakingish
I will probably be on "Inside Edition" tonight. Probably for less than three seconds, I expect. Details soon.
Posted by Ted Fisher at 3:12 PM 0 comments
Labels: television
Tuesday, November 13, 2007
Yet More Photography in the News
This is from a few days ago, but worth noting. It brings up an interesting hypothetical: you're walking along, you see an arrest, you take a picture. Now, if a police officer tells you to stop, you stop. But what if, instead, they insist you give them the camera?
Man jailed in photo incident awarded $8,000
"An amateur photographer who was taken into custody last year after shooting pictures of two Seattle police officers making an arrest on a public street received an $8,000 settlement this week, the American Civil Liberties Union of Washington announced Thursday."
Posted by Ted Fisher at 7:58 PM 0 comments
Labels: photography in the news
Photography in the News
Any photography-related items in today's news?
Well, it's just straight-up dangerous to photograph Britney Spears.
"A paparazzi chasing troubled pop star Britney Spears was injured when his motorcycle was struck by a car driven by another photographer, police said Tuesday."My advice: don't do it.
Posted by Ted Fisher at 12:34 PM 0 comments
Labels: photography in the news
Monday, November 12, 2007
Pop Photo Flash
The video on the NYIP photo contest has received a link from Popular Photography -- so it will be interesting to see if that leads to a good number of viewers for the piece. There are no parachuting squirrels in the video, just folks talking about photographs and photography, so I'll be very pleased if it does well on YouTube....
Posted by Ted Fisher at 3:31 PM 0 comments
Labels: blogging, photography contests
Sunday, November 11, 2007
Photography in the News
Are there any photography-related items in the news?
Well, in Berlin 250 Leni Riefenstahl photographs were stolen. More importantly, at least for this blog:
"...300 works by American photographer Elliott Erwitt disappeared from a basement storage unit at the offices of Photo Estate GmbH, a subsidiary of Berlin gallery Camera Work AG, police said."Here's the article.
Posted by Ted Fisher at 10:31 AM 2 comments
Labels: Elliott Erwitt, photography in the news
What Would Elliott Erwitt Definitely, Definitely Not Do?
Elliott Erwitt would not put a booksigning he wanted to go to on his calendar, then forget to go.
Especially if he was someone else, and the booksigning was by Elliott Erwitt.
It's been a rough week all month.
Posted by Ted Fisher at 10:26 AM 2 comments
Labels: Elliott Erwitt
Thursday, November 08, 2007
Project No Way
Don't tell anyone, but I watched The Shot.
"Whether it's shooting on the deck of a schooner in the midst of a storm, or trying to get a supermodel to cuddle up to a Siberian tiger, our cast will face daunting tasks and obstacles that will test their talent, desire and drive to be the next great fashion photographer."
Posted by Ted Fisher at 11:26 PM 0 comments
Labels: photography, television
Wednesday, November 07, 2007
A Photography Contest
New video I made on the process of judging a photography contest. More details on the production over on Actualities.
Posted by Ted Fisher at 5:55 PM 0 comments
Yorange
I'm not sure why my photographs lately have had so much yellow and orange, but at least this one's honest about it.
Posted by Ted Fisher at 12:06 AM 0 comments
Labels: snapshots
New Frugal Traveler Video
Over at Actualities I have a few notes on editing the latest "Frugal Traveler" video. I've been very quiet on that blog, which is strange since so much of my time lately has been taken up with video projects and teaching video....
Posted by Ted Fisher at 12:01 AM 0 comments
Labels: blogging
Tuesday, November 06, 2007
Moving on Up
Upper East Siders are some of the nicest people on the planet. Their Kryptonite: inconvenience.
During the marathon, we saw the expected: folks getting massages while positioned so they could see out the shop window to watch the runners, the matching-pink-purse-and-dog-sweater set navigating First Avenue to get to their normal appointments, and the UES equivalent of tailgate parties. As well, we saw a surprising number of folks who spent the day supporting the runners along the sidelines, shouting names and clapping for hours.
The UES air, however, holds the idea that you should be able to get what you want, when you want. Why did the Upper East Sider cross the road? To get to the other side, in time for a play date.
Posted by Ted Fisher at 9:03 AM 0 comments
Labels: snapshots, Upper East Side
Monday, November 05, 2007
New York City Marathon, Part Three
The city's pigeons were clearly troubled by the huge human migration up First Avenue. They circled in flocks, but eventually saw food on the ground and decided to brave the crowds of runners. They flew in and out of the race, often directly at runners.
Posted by Ted Fisher at 10:42 PM 0 comments
Labels: photographs
Sunday, November 04, 2007
New York Marathon, Part Two
The first half of the day the crowds are upbeat. Some come out to cheer their friends, usually holding signs.
Later, as the run goes on, there's a very specific moment when the euphoric swell changes -- it becomes clear there's only a thin pained line of stragglers, fighting out each step. That's almost hard to watch as we sit there, eating pizza.
Posted by Ted Fisher at 5:24 PM 0 comments
Labels: photographs
New York Marathon
The marathon travels up First Avenue, and so passes 1/2 block from my apartment, more or less. I overheard someone say we're near mile 15.
Above: Close Call, November 4, 2007.
Posted by Ted Fisher at 5:18 PM 0 comments
Labels: photographs
Like Woodstock, but for Port-o-Sans
Sunday morning the New York Marathon will begin in Staten Island. In the hours before the start, thousands and thousands of runners will gather in a field, waiting anxiously.
They'll need portable toilets. Thousands and thousands of portable toilets.
Above: a snapshot from Saturday's visit to Staten Island.
Posted by Ted Fisher at 12:03 AM 0 comments
Labels: snapshots, Staten Island
Saturday, November 03, 2007
There Should Be Some Sort of Ceremony
Well, today I am a true New Yorker. I've made it to my final borough: Staten Island.
Sort of, anyway. Got there via taxi. Stood in a field for a while. Took a bus to the Ferry. Left on the Ferry. That counts, though.
Above: a woman sketching on the subway, seen on the way back.
Posted by Ted Fisher at 11:51 PM 0 comments
Labels: snapshots
Sunday, October 28, 2007
Shadow of a Doubt
Errol Morris finishes his search for knowledge in two Roger Fenton photographs.
Posted by Ted Fisher at 11:35 PM 0 comments
Labels: history of photography
Newer New Rules
Finally, there's some news on those proposed new rules on photography and videography here in New York.
"The proposal would allow photographers and filmmakers who are not using vehicles or equipment like dolly tracks, lights and cables to proceed without permits on public property as long as they stay out of traffic and their activities do not prevent public use. The rules would also allow photographers and filmmakers to commandeer a portion of a public walkway without a permit, as long as they leave open at least half of its width, or eight feet, whichever is greater."
Posted by Ted Fisher at 11:06 PM 0 comments
Labels: photography in the news
Saturday, October 27, 2007
Midtown Cinderella
That tiny black speck on the roof, one-third from the top of the photograph? That's a woman's shoe.
There are some cigarette butts near it. Probably a grand story also, but I'm afraid I don't know it. Or I'd share it with you.
Posted by Ted Fisher at 10:03 PM 0 comments
Friday, October 19, 2007
PhotoPlus Friday
I went to PhotoPlus Expo this afternoon. Strobes, softboxes, stands; backgrounds, bare bulbs, batteries; cases, cards and cameras.
Touched some Nikons, some Canons, the new Sony Alpha.
The Sony booth had one or two models posing at all times, and when two worked together, a crowd formed of a dozen men, surging forward. The cameras had huge zooms mounted on them, thick and long. (You need two hands to handle them properly, really.) The men would sometimes look at each other, comparing, then point them at the models and blast away.
I walked around the corner and tried out a Sony 28mm F2.8. When I asked to see it, the salesman put a big zoom lens on the camera instead and smiled. "No, the 28mm prime," I said. "Oh," he said. "No one has asked to see that before." It's a very unsexy lens. Not fast, not expensive. Snubnose and light. Invisible.
Posted by Ted Fisher at 8:28 PM 0 comments
Labels: photography events, snapshots
Photography in the News
Any news items on photography today? Well, there's this:
Britney Spears appears to run over foot of celebrity photographer
"Spears drives off. Second later, video shows what appears to be a tire mark on the unidentified paparazzo's sock. The man, wearing sandals with white socks, doesn't respond to questions from the cameraman but instead walks off without any apparent problems."She probably shouldn't have done that, but isn't the real crime here wearing sandals with white socks?
Posted by Ted Fisher at 9:18 AM 0 comments
Labels: photography in the news
Thursday, October 18, 2007
Who Ya Gonna Call?
I looked. If Pete was around, it wasn't obvious. It was the middle of the day, though, and I'm guessing Pete is not around until after dark. Way after dark.
I'm left with many questions. Does Pete really deserve the exclamation point? Is Pete related to the Fruit Guy on the Corner?
Will all the food groups be represented?
Posted by Ted Fisher at 9:11 PM 2 comments
Labels: snapshots
Tuesday, October 16, 2007
Nun Bun? Canon AE1? Or Photoshop Fun?
In a post today New York Portraits' pal Photo Chick expressed her doubts about a flaming ex-pope.
Apparently you can see her on Inside Edition tonight or in repeat tomorrow discussing whether a photograph -- claimed to show Pope John Paul II mystically manifesting in a bonfire in Poland -- has been digitally manipulated....
More on the original photography "news story" here.
The theft of the original "Nun Bun" is here. Heck, here's an entire photo gallery of Nun Buns for you from the BBC. Enjoy.
Posted by Ted Fisher at 10:39 PM 0 comments
Labels: digital photography
Photography in the Auction Houses
I managed to catch the Monday and Tuesday photography auctions at Sotheby's live on the Web. I've been to one in person, and it's an amazing thing to see: ripples go through the audience of live bidders, both of anticipation and -- sometimes -- of shock.
It's still great to watch online -- you sit at home with the catalog in hand, then see video of the auctioneer. But you don't hear the murmurs of the crowd, and you don't get to see the back and forth of the paddle-raisers.
Some highlights:
A complete set of Camera Work -- 50 volumes of the Quarterly published between 1903-1917 -- went for $229,000 (with Buyer's Premium).
An Edward Weston Nautilus went for $1,105,000 (with Buyer's Premium). And a Weston Nude on Sand, Oceano was $193,000.
A Herb Ritts made a surprising showing: with a catalog estimate at $20,000 - $30,000, it sold for $109,000.
Posted by Ted Fisher at 8:24 PM 0 comments
Labels: photography auctions
Yorkville in the Morning
Ah, Yorkville. In the morning, half of the people you see on the street are going to work, half are not. Instead they're running some local errand or taking the kids to school. A lot of folks on the street, but not the kind of pressing crowds you get in other neighborhoods.
No shortage of dogs.
Posted by Ted Fisher at 8:00 AM 0 comments
Labels: photographs, yorkville
Monday, October 15, 2007
Will It Look Good Over the Couch?
One of the issues that comes up in a day of wandering through photo galleries is scale.
Presentation sizes for gallery / museum photographs have increased dramatically, obviously. At one point 8" by 10" photographs were common in gallery presentation, and now few contemporary photographers are selling works smaller than 30 inches wide. 60 inch prints are very common.
There are, of course, photographs that "work" at 15" wide but not at 10" wide. So, go bigger, sure.
But have no doubt that part of the, ahem, overcompensation that is happening is based on sale prices. I don't really have a problem with that -- if you can sell your 5-foot-wide photograph for a lot of money, and a collector's loft has just the perfect spot for a 5-foot photo with a lot of red in it, great. Someone spending 5 grand on a photo wants it to hold the wall.
Still, the market-driven need for size makes for some boring work. The emphasis shifts to an ultra-detailed study of a thing, or a person in solitary. That's fine -- that's something photography does very well.
There's a de-emphasis, however, on the other, more important process that photography is suited to: showing one thing in relation to another thing. If a five-foot-wide picture of the side of a barn is fascinating, great. I'm really more interested in how this person looks at that person. Or the way this person reacts to that person. Or how these two stand together. It seems more like what I want to know about the world. A visual relationship, observed.
And I don't care what size it's printed.
Posted by Ted Fisher at 12:05 AM 0 comments
Labels: Chelsea, photographs
American, Surfaces
One of our gallery tour stops was the Alex Klotz Gallery for a show of Andreas Feininger photographs. We realized we weren't on the mailing list, and therefore signed the gallery's address book.
Stephen Shore had signed in just before. We looked around, but have no idea what he looks like now. Might have been standing right next to us.
You know, the author of The Nature of Photographs -- also featured in a recent ICP exhibition.... That Stephen Shore.
Posted by Ted Fisher at 12:01 AM 0 comments
Labels: photographers
Sunday, October 14, 2007
Chelsea, Lately
I forgot to mention that while touring the galleries with my wife and our friend Marc I kept trying to sort out an idea that's been buzzing around for a while: that while this is Chelsea's moment, it may not last forever.
Long-time New Yorkers point to the transformation of Soho, once the hot art gallery neighborhood. They ask: when the rents go up, or the art market dips, will only the blue-chip galleries remain? Will the scene move on, or perhaps fragment?
(From my California days I remember very well how the Santa Monica gallery scene changed quickly -- from a cruise along Colorado Boulevard's industrial spaces into a day parked in the gated-community of Bergamot Station.)
I'm not sure it can be known, yet. What's there seems very solid to me -- and I have a hard time imagining it won't stay oriented to an art scene. But I'm never surprised by change, and glad to see things as they are. All scenes are temporary, in a sense, aren't they?
Posted by Ted Fisher at 9:31 AM 0 comments
Labels: Chelsea, photographs