I mentioned Kohei Yoshiyuki's "The Park" photographs last week. Today the New York Times has a serious look at them titled Sex in the Park, and Its Sneaky Spectator.
The exhibition, and the article, do a nice job of bringing up the issues of voyeurism and observational recording that seem inherent in photography.
Karen Irvine, curator of the Museum of Contemporary Photography in Chicago, said Mr. Yoshiyuki’s work is important because “it addresses photography’s unique capacity for observation and implication.” She locates his work in the tradition of artists who modified their cameras with decoy lenses and right-angle viewfinders to gain access to private moments. Weegee, for example, rigged his camera to capture couples kissing in darkened New York movie theaters. Walker Evans covertly photographed fellow passengers on New York subways.A long while back I wrote about my own experience at a photo workshop photographing photographers as they took photographs.